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Dr. Levent Mollamustafaoğlu's avatar

Hi Karen, I read the first two parts of your Ethics in Generative AI for Music with great interest. Although I've been writing about developments in GenAI for a while, my focus was not on Ethics. I'm also an avid listener and music enthusiast, so this topic has a specific appeal for me. I have a few points to ponder after I read your first "deep-dive" article on beatoven.ai:

1) If a tool did not use Deep-Learning and neural-net-based technology but used a "symbolic" formulation (doubtful if this is possible since Symbolic AI was more or less abandoned after the early failures in the 70s to contrast the very optimistic view on AI in the 60s), would we still have ethical concerns? To put it more clearly, if it did not use any music to train it but relied on "algorithms" a human has formulated in order to produce "passable" music, how would the ethical concerns look like?

2) I believe a global agreement on properly marking AI-generated material is one of the building blocks of ethical generation. I am not sure if there is any work on standardising the label format etc.

3) Let us assume for a moment that the global AI companies agreed to properly compensate all of their source creators, including any work created through their models, would we still have an ethical problem? Let me use an analogy: If an LLM is trained with non-copyrighted material (e.g. anything 75+ years old according to U.S. law) would there be any ethical issues?

I'm not offering any solutions or reaching any verdict, but just trying to enlarge the scope of the ethics argument to move away from White=Ethically sourced and Black=Unethically sourced.

Please continue the very useful deep-dives you've been performing on these tools, for people who may not have time or opportunity to try out all these tools (and more being introduced every day).

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